having spent three years tirelessly growing the la vie en rose label from strength to strength, championing avant-garde house music and helping launch the careers of fresh new talent, label boss terence:terry: now steps forward with a string of his own works. inspired by his blossoming collective and following his recent remix of marcos baiano on lvr015, * acid heroes* ep contains three original terry productions truly for the club.the title track enters in strong punchy form, concocting deep industrial vibes and sinister vocals that echo into the darkness, until, half way through, it takes a more upbeat turn, lifted by reverberating synth chords. * cliché* slaps a little harder with a pounding bass and clashing symbols, before warming up with female wails and woos. a short, sharp taste of chord jabs and the journey builds up to what seems like the climatic futuristic ending, before melting into softer territory and a much welcomed infectious kick, for that last lease of life. rounding off with the murky, splashing number * testing the water*, deep keys and the expert layering of techno effects equals a sublime underground house track, most certain to arouse the dancefloor. * acid heroes* is served as the perfect appetiser to get you salivating before * house couture* , the first compilation from terence:terry: on lvr, mixing producers past and present, as well as a handful of unreleased future-gems to come on the label.

amazing debut ep from space garcia, complete with and amazing phon.o remix! needs to be heard! after the success of rvrt003, riverette strikes again with the amazing debut ep of space garcia, an ep very hard to categorize full of techno, house and idm vibes. the title track, trout fishing in america is a track that has you riding a wave for almost 8 minutes, one that you dont want to get out of, while benjamin franklin statue delivers a powerfull cinematic experience for the dancefloor. the phon.o remix sees him deliver another powerfull, hard hitting, techno track just as we have come to expect for this talented producer

introducing the album comes track coma with thousands supa grove percussions and intergalactic keys driving you to a heart of a universe on supersonic speeds. next comes the viking and continues the ep with a serious intellectual sound containing analog vibes mixed with echo keys and drums. a track called akranes brings your mind to a called train passing through snowy siberia with million thoughts and a hot tea in a hand with eyes caught up by snowy fields behind the window. mud gives a shot and brings u down after all the illusions u have during listening an ep, this track will make you shaking in 2-3 seconds so hold on! a true analog sound in a quality pack is that what you prefer to get inside the monsters ep s. monster power!

boom! this is the collaboration we all have been waiting for. audio werner & jichael mackson teamed up for these massive bass-driven floorburners. the a-side volt comes as dedicated buzzer with heavy sub-bass. make sure youd be only playing this one on systems which are able to take the extra boost. the b-side schlamm is a loose tribal groove adding an extra dose of rough echo and dub effects.

180g vinyl with printed sleeve.
federsen returns to fifth interval for another sublime instalment of dance floor friendly dub-techno. dewpoint is an altogether tighter affair when compared to the label s first release, point reyes. the drums are taut and razor-sharp, propelling the listener effortlessly through a dense fog of ferric clouds, swelling to fill the outer-reaches of the echo chamber. a highly polished metallic production style that can be compared to some of andy stott s early and classic works. tomas rubek remixes dewpoint for the b-side, remaining faithful to the original track s structure but viewing it through a tinted lens. dewpoint s chords become iridescent, kick drums fall into a straighter pattern and are backed by further dusty percussion, shifting the original into spheres inhabited by the likes of rod modell and fluxion.

entirely off the safe path, nonconformity and badass sounds are merging for snork #72 to send the ultimate sos for genuine techno. snork enterprises meets remute out in left field with three tracks not only to save our souls, also to save our sound of raw, underground techno. in a distorted space of sound, eclectic morse-codes come floating while persistent base lines keep the machines running. sirens sound and tortured steel is building up a sphere of vibrating noise spreading all over the hull and sustainedly screaming for sos. soaring beats forecast the last burst of strength. a freak wave of forceful sounds is rearing up. scared minds are facing the darkness of endless depth, still longing for the last beam of moonlight. yet, the all-embracing wall of infinity is merciless closing the entire surface. in an ambience of distortion, finally everlasting silence is drawing through the dark deepness devouring every vivid glance. from the distance down below there remains one inward echo - the ultimate sos.

with the bizarre feeling ep laying the sound for the subsequent fist year of the label, it is right jamie returns with ep#2 to move things forward with another twisted take on his unique mutoid-protoid-machine-funk-groove. starting with mad obsession you would be forgiven for thinking you ll have bizarre feeling part 2, with warped vocals - taken from late night, half asleep scribbled notes - and space echo haze, but let the percussion work-out trip you up and the stars in and before you know it things start going leftfild and then deeper with the free party sound system bass line shuffl of time nearly time. what he is on (about), no one knows. it is on the flp however that things take a darker turn. beyond the confession booth, down sharp stairs and dripping ceiling to a red light lit room of latter day late night blues.

the second release of inkblots involves three great artists deeply active into the international techno scene: the japanese go hiyama and the berlin based duo i/y. on side a, go hiyama’s first track ‘recur’ delivers sinister atmospheres matched with a tough kick and industrial bleepy elements. slow and paranoic drones get in and out contributing to enlarge the sound perception. the second track ‘prop’ introduces elegant hi-hats and strident synths. a captivating kick perfectly embraces the shrill synths waving together with the sharp drum, what remains of the first side is just tense ambients, forewarning the journey is not over. side b smells like a dark club firing up, indeed i/y’s aim is not different at all. ’thesys 0000.001’ debuts with a thin bassline and distorted grave surroundings. the track evolves with clean slap hats sound in an empty echo chamber. deep timbres rise and fall, turning the entire route gently aggressive. the second track is an idm experiment which keeps a trippy approach and the clarity of claps and hi-hats. solid as the first one, ‘thesys 0000.003’ sets itself as an hypnotic but pleasant moment where suspicious fragments quickly appear and disappear: a sparkled trip to be enjoyed anytime but not by anyone.

a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

supermoll 01 the first vinyl release of the young techno label supermoll from cologne. rooted somewhere between a sound of cologne legacy, german experimental kraut attitudes and dirty acid vibes from oversea. jeandado opens with a heart-warming, melancholic synth solo that positions his track clearly in the glorious realms of pop. with striking toms and a burning bassline this piece tells the story of a life. the a side continues with universum, a beautifully leftfield perspective on electronic music. in old memories of a genre called synth pop the universe unfolds in front of your eyes (and ears). ludwig zibell s track sets a landmark for a very special place in köln: the herkulesberg, a so called -trümmerberg- of post-war debris in the center of the city. this special scenery gave the inspiration for his slowly progressing piece of intense deep techno art. -switcheroo- by diom celebrates reduction. hypnotic chimes and subtle changes echo the compositions of musicians like steve reich and other representatives of the minimal music scene. supported by tim sweeney, hans nieswand, tobias thomas, brandt brauer frick, roland m. dill, bryan kessler and many more. mastering: jörg burger cover: ludwig zibell

em records proudly announces a new addition to our em steel pan series, a project long in gestation, john gibbs and the unlimited sound of steel orchestra. it is official, and of course it is excellent.

ein jahr ist vergangen, seit dj koze sein weltweit mit awards und preisen ausgezeichnetes meisterwerk amygdala veröffentlichte: bestes album in der groove, de:bug, bei byte fm und zündfunk, best album 2 bei resident advisor, dazu gab es den hans musikpreis, den vut indie-award best album und schließlich den echo kritikerpreis. nun erscheint mit reincarnations pt 2, nach reincarnations - the remix chapter 2001-2009 und music is okay (2000), die dritte große werkschau des remix-virtuosen dj koze

farfromnormal are happy to announce that the first vinyl release will be by the fantastic up coming producer zefzeed. to help set (farfromnormal) at high standards he has come up with 3 original tracks with a atmospheric deep techno vibe. zefzeed has also produced records for two of the most respected underground labels around body parts & all inn records and has a lot of support from some huge artist. this is the beginning of something great for farfromnormal. (modul 1) is full of crazy spaced noises with a fantastic echo rhythm. (modul 2) is packed with dark instruments with a huge rumbling flow great for a midnight build up. (modul 3) holds a heavy kick with a rhythmic bass line and is partnered with some chords that gives you a sun set vibe

the earth, the sky and the earth again — plus another trip through la soci é t é du spectacle. something between a riveting caress and an invigorating shake. elevated music!

savage grounds are cco and daniele cosmo, co-owner of lux rec. a techno related outfit to explore a darker, noisier and more menacing sound. the ep has been realised by using only three machines. a roland 808, a modular synthesizer and a roland space echo. every track has been recorded live with a minimum of post processing. come over the fence and dance with the savages.

field records is to release a 2cd compilation and 3 vinyl samplers of music from the labels artists old and new entitled simply, collection.

sonoras 54th digital release and 6th vinyl release *the remixers* was put together with selecting the best remixes of their past catalogue. each song selected has been chosen for its unique sound and with the best quality of production.

portlandia house bastion ecstasy termed temples 2012 debut mini-lp, i-vii, ambient jack, which captures something of the projects contradictory strengths: airy yet agile, sparse but plush, flights of intuition mapped onto morphing grids of percussion, crystalline electronics, and pastel skylines. avalon kalins latest collection of tech finery, earrings ii, dials back the atmospheric quotient somewhat, though theres still a rock garden spaciousness to his mixes, each element arranged with regard to some higher harmony, the poetry of negative space. recorded in his home studio while dancing, the four tracks here ebb between passages of pressure and release, euphoric but unstable, dusted with pyramid-chamber slap back and live dubbing acrobatics. their melting clock asymmetries more closely echo kalins hardware improvisations with scott goodwin as polonaise than the velvet vocal house of his other solo vessel, finesse, but temples is ultimately a holy place all its own. a sleekly compelling statement from one of the pacific northwests secret heroes. mastered by eric hanson. edition of 305

*broken circuit* is the meeting of minds between max wheeler and victoria port aka anushka. the results are one of the most enjoyable, unpretentious hybrid dance soul records you will hear all year.
the double vinyl lp includes a code for free download of the full album.

cyber dance records are back on the attack with a fresh release from the legendary perseus traxx aka nigel rogers, a 4-track ep entitled after recent scientific developments an apparent horizon . its a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the uk s own rich history of electronic dance music, with elements from the classic warp -deep space sound- prominent as much as the more usual 303-jacking acid house grooves in the vein of baby ford or bam bam. lost dreams opens the record with a floaty dream-like hipnosis from the depths of space and sets the tone in magnificent style, followed up on side a with the irresistible roll of reverse the trend that takes the groove harder, further and deeperstraight off to the beyond. dark strings reminiscent of old lfo, b-12 or autechre vinyls from the early 90s propel us into side b on darkness stalks , and then we re transported onto the concluding track on the ep, distances , an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any m25 rave in the depths of a late 1980s night.

with etuiltd005 translucent tracks we are presenting 4 new tracks from the deeper side of techno. we also welcome 3 new and established artists to our vinyl series.

limited backstock of dan curtins 1997 release for iconic uk label peacfrog.

words spoken in another land and in another time echo through mikaels record. before the light of morning shines over his world he sings songs without words, madrigals for the petulant synths and austere drums, in an effort to stall out the first rays of the sun for just one more moment.

oblique soundsystem murderers from the trio of amos childs, seb gainsborough (vessel) and sam kidel - members of bristols noted young echo collective. killing sound make their full recorded debut on this self-titled 2x12 inch, with four tracks cut obnoxiously loud across four sides by matt colton at alchemy.

sequencias number 10 should give anyone unfamiliar with the label a good idea of what we are about. three very different artists have given us three very different tracks—collectively forming a sort of manifesto. experimentation, rhythm and reflection are all given equal weight on this record. as with everything we present, it is all in the service of expressing the flawed and the human.

following their acclaimed debut album, migration, on prins thomas internasjonal label in 2012, jamie paton and nigel hoyle (aka nigel of bermondsey) have seemed relatively quiet save for the odd remix here and there. tucked away deep in their south east london base though, a series of remixes and solo projects have been steadily forming. with new c&a material planned for 2014, plus more to come from jamies new solo efforts, as well as nigel making a long overdue reappearance in maurice & charles, now seems the right time to draw a line under their collective work to date. here then are a collection of unreleased interpretatons, including the sought after vocal remix of psychedlic darlings, in goats anthemic run to your mama. this is followed by a late night dub of 80s pop duo blancmange that mixes strings, guitar and some dub bass with a dose of space echo before bringing neil arthur s classicly recognisable refrain shining through. to finish is a remix of goats label mates teeth of the sea. fx-soundtrack vocal, bubbling 303 and 808 combine on a proper 3am dub that builds beyond some mere drug-chug.

basement floor return with a deadly strike from the house/techno underground. kicking things off is tim schumachers soul phrase (echo mix) a jacking, raw dancefloor destroyer that knows no quarter. son of sound steps up to the plate to deliver a cosmic workout driven by a thunderous disco beat (check for his forthcoming 12inch on district 13!!).

limited to 300 beautiful black vinyl records, black lined sleeves, brown jackets.
the first release for silent season and edoardo zerbinati, aka edanticonf, for 2014 is the boundary of nowhere land ep, a four-track excursion through naturalistic ambience mixed with synthy, trance-like textures and a layering of dub techno. it is zerbinatis third release for the british columbian label following his planet ep and forest echo album of 2012 that featured title track edits from adbullah rashim and iori.

before birthing his blasted acid house identity bobby draino drummed for various synth-punked groups around vancouver, and some of that scorched earth live energy bleeds through the five primordial bangers comprising his vinyl debut, *brain drain*. tracked live through one channel of a space echo straight to his computer, draino’s mo is overdriven drum machines saturated with gritty fried acid, bass damage, and blown-tone sequencer patterns, fused into a radical and weird debased mutant house. the eps five tracks are the cumulation of two years of demo workshopping, tr-606 and 303 autodidacticism, warehouse party spelunks, etc, all savvy tactics for developing a shredding, progressively singular style, which bd has in spades. one of the most awesomely wrecked and raw silk slabs to date. a west coast wiz worth watching. mastered by eric hanson. edition of 430.

with etuiltd005 translucent tracks we are presenting 4 new tracks from the deeper side of techno. we also welcome 3 new and established artists to our vinyl series.

the a1, named after the release title, is a summer techno drive, or a ride through a hot landscape in central america, as the notes of marimba suggest. the subtle but crackling low toms reverb dictates the driving tempo, while the chasing hats warn of a night which is likely to be dirty and sweaty. ready 2 glow opens with an enlightening synth note softly spreading through the air. its the after-hour call, the quietness before a new storm, which is about to boost and bring to surface the spastic contradictions of the drug-based soul liberating after-hour scene. corners goes funk, the quirky and rugged bass line lays at the core of the groove. above, we hear a multitude of spooky sounds and samples ranging from flying saucer sonic surges to playful stabs and bongo madness. the obsessive vocal echo, manipulated according to the abuse of ifferent drugs, is a clear indication of that. alza pure quanto vuoi is almost taken as it was firstly conceived during a jamming session. its twisted, swinging, it breaks the scheme of groove flowing as the tempo suddenly escapes to a faster pitch, jacked out

emotional especial is the new label from the emotional recordings stable. a sub label to emotional response, especial is though squarely aimed at the floor rather than the head. in a similar vain to the limited 4 eps-only label that was emotional relish, it will merge the sounds and styles that influence contemporary electronic producers, taking in new wave, new beat, ebm and proto-house to create something modern. jamie paton of cage & aviary helms the debut release with bizarre feeling. a youth soaking up punk, dub and new wave, the ep acts at times as a homage to the sounds of new order, the the, kraftwerk and the then other-wordly machine funk emanating out of mid-80s chicago. with both timothy j fairplay and scott fraser aiding and abetting down in the scrutton street bunker studio, with keys, guitar and a heavy dose of space echo, plus hypnotic fx laden vocals from jamie himself, all propel the ep beyond pastische and make the perfect start to especial.

if there is one thing in this world that is certain, it is that things change. and in the life of one dance producer with a new release on sheffields shabby doll, there have been transitions aplenty. with a switch from garage to house, a move from doncaster to london, and a change of identity from ryan aitchison to mella dee, his spacious four- to-the-floor sound has emerged from a state of constant flux. and yet… the more things change, the more they stay the same. *things dont change* is the name of mella dees new shabby doll ep, and when you tune into the title tracks compulsive twitch, you can hear the echo of his south yorkshire antecedents coming through.

following a slew of acclaimed releases on left blank and tri angle, as well an album with the much lauded young echo collective, vessel debuts on the burgeoning liberation technologies imprint with three diverse cuts of inimitable off-kilter electronics. *misery is a communicable disease* serves as a euphoric opener, primed for moments of escapism on or off the dancefloor with resonant hats and an exultant synth line laid bare upon a bed of gauzy pads and valve-warmed kicks. vmi is a different beast altogether, channeling the visceral spirit of minimal wave and punk aesthetic to create a sordid call to arms before the frenzied acid and lingering menace of *not for design* closes the record in typically deranged fashion.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

the latest installment in deadbeat s infinity dubs series sees him submerging his rhythms deep into the echo chamber, offering up 2 solid state dubs with basslines so low only the largest systems will even register their presence. enlightenment through stoic repetition is the order of the day here, and deadbeat once again proves his unrivaled skills as a master hypnotist on both cuts. dont sleep.

bedroom community releases daniel bjarnasons over light earth on september 30th 2013. this is the icelandic award-winning composers second solo-album and third release on bedroom community, hot on the heels of his solaris collaboration with labelmate ben frost. bjarnasons critically acclaimed debut album processions was hailed by time out ny as coming eerily close to defining classical musics undefinable brave new world.on over light earth the intensity of bjarnason s orchestral voice is captured through meticulous close-micing and multitracking, a recording process that sets this recording radically apart from that of conventional orchestral recordings.

the la based artist kauf has been honing his own dark twist on modern electronic music since 2011, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony avant-pop earning comparisons with the likes of caribou, matthew dear and toro y moi.
the as much again ep is kaufs most substantial release to date and (much like the artwork) paints a dark, but distinctive picture of the man himself, as a unique and undeniable talent.

2x 12 inch proper experimental ambient stuff

nicolas cantu makes a welcome return to sequencias with the lost tribe—a brisk 808 workout with lush synthwork and psychedelic acid stylings. this is a more breezy approach compared to his work on other labels yet spares none of the imaginative or emotive qualities. on the flip side, label head jm de frias offers up the dissonant groover the light as a follow up to his debut track from levon vincents acclaimed fabric mix cd. brash percussion collides with staccato melodies awash in echo and organ, sustaining an intensity that never quite boils over. the two team up for the closer the last light, an atmospheric epic of growling strings, breathy ambience and melancholy stitched together with creaky, decrepit acid stabs and brittle percussion. this is the beginning of an on going collaboration between the two, keep your ears open in the near future.

adam cummings aka binny made his first appearance on orbis records a few months back and it was certainly not his last. that we can assure you!

incl mike wall remix

part 3 of the emotional relish series sees robi insinnas work remixed by a quartet of british producers. death in vegas overseer richard fearless tackles >be loved< starting with an ethereal loop that builds on top of itself before the beat kicks in and the remix heads for the dark (leather) dancefloor. mr andy blake channels the collective spirits of the slits, the pop group and killing joke on his space echo laden remix of >adolescent sex< whilst weatherall acolyte scott fraser returns to the relish cause with a typically chugging rendition of >turning< that has found favour from croatia boat parties to the catwalks of paris s/s 2013 no less (check youtube for evidence). cosey club founder richard d clouston slows down the tempo for a brooding, mind bending take on >blue girls<.

one year after the first excursion into his haunting world of sonic spaces on the analog amputations ep, machine wizard cvbox strikes back on uncanny valley with the follow up trawler crossing.

dub aus wien: die österreichische band lässt auf album 13 die frauen singen.

cutters records are pleased to announce the debut vinyl (and vinyl only!) release from their latest signing, the la based artist kauf. since 2011 he has been honing his own dark twist on modern electronic music, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony indie pop earning comparisons with the likes of caribou, matthew dear and toro y moi. an internet-only single caught the ears of cut copys frontman dan whitford, who promptly signed him for a forthcoming ep, entitled as much again on cutters records. the first taste of this ep comes in the form of the relocate 12 inch, including remixes by psychemagik, nile delta and moons. kaufs relocate is an dark anthem for the late-night-slow-dance, featuring sparse metallic percussion, chugging synth bass and vocals drowning in a sea of reverb. psychemagik take this vibe and run with it for their 7 minute house tinged rework. cutters own nile delta ups the energy with his signature acid-injection and moons (no recordings) rounds out the release.

cavaan is the alter ego of a rather well known berlin producer and his fellow from milan. the duo debuts with their very much loved project. they feature a studio-recorded wonderful vocal on this hypnotically modern percussive house affair titled black snow. the original track grooves on some free swinging retro percussions and beats from the 80s machinery and a softly moving house-beat making this a very subtle killer for any dancefloor. while the vocals carry the track as light as a feather it is after the breakdown that things get really musical - you will hear yourself while listening the melodies and sequences. for the remixes turdjr has aligned a high-quality and diverse array of a current top producer. one of heidelbergs coolest kids on the block, lopazz knows that every track gets better with a lot of handmade music-and he sure is right in his interpretation of black snow. last not least i is under on the flip which is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! this release is filled with tracks that will long echo on the dancefloor!

as apple pips continues to explore its opening mantra of echo, depth, swing and bass within the duplicitous realms of modern electronica, it welcomes to the fold two long-standing friends of the label and in turn sheds light on their own fresh avenues within house music. you might already know lrusse as id or behling, commonly found kicking up the dust alongside sam baobinga simpson in all manner of styles and tempos, while bleecker has an accomplished back-story in dubstep as wedge & through his own if symptoms persist imprint. in their new venture both producers fuse their dancefloor inclinations with more searching, experimental textures and tones, placing crafty sound design on a level pegging with the more immediate tropes of groove and presence.

livity sound is the label and live project combining the talents of the bristol trio of peverelist, kowton & asusu with a mandate to explore the edges of techno through the prism of the bristol echo chamber. the velez / rendering 12 inch is the second, highly anticipated solo release for asusu on the label.